With the Rode NT4 I use a Beachtek DXA-10 mic pre amp with stereo XLR connections. The 'RYCOTE Special 60' is a nice small one that slips over the Rode NT4, the hand held microphonemaddness mic below and my favourite is slipping it over the top of my Edirol R-09 I use Rycote wInd jammers for all my mics outdoors etc. RYCOTE WIND COVER for microphone and Edirol R-09 As a condenser mic it is prone to wind gusts - even gentle ones so use a Rycote wind jammer. Good for close up and ambient recordings. Detailed and low noise and creates a true impression of the sound source indoors and out.
Air creative collection installer pt10 professional#
I now use a professional XLR connection X-Y type condenser mic called the Rode NT4. PROFFESSIONAL STEREO LOCATION RECORDING MICROPHONE uses these - says as good as monitors - I guess the best audeze lcd-x My friend Stephan Mathieu who is a hi spec guy. I use Sony MDR-V700 a bit dj looking, but most effective durable and good sound and bass - hey both me and aphex twin use 'em ! + Juan Atkins etc etc I use headphones for the majority of my composition work - keep others happy - I then master on studio speakers - many top folks work on headphones JEZ RILEY FRENCH gives an overview of many affordable digital recorders for your please here : I have a 2Gb compact flash card which records about 3 hours at CD quality audio. This is now my main recording unit - great for location and concert recording and everything really. Works brilliantly with a line level input, and that's the only way I use it bigger than iRiver but almost perfect sound with right input signal and gear. It's USB again so you just suck the sound straight onto your computer - marvelous :-> very worth while. Edirol R1 is one of the first generation hand held Pro/Consumer digital recorders.
great fucking everything.Ħ years into the 21st century we seem to have the ideal recording device. Edirol R-09 - I bought this and was super impressed. Loads of alternatives on the market - but this one rocks my boat I Now Use 5 of these R-09HR for recording and projects and also live play back - totally reliable and decent looping It has a speaker on the back which is nice, and has a remote, but still can not edit tracks on the recorder itself which is the joy on a Minidisc. It's a bit longer a bit tougher, but has a few advantages - nice to use in the field - small robust and excellent quality again Only Sony do totally perfect loops without any click or pause. TOP TIP - Use the 'Repeat 1' function to make seamless Totally robust, but a bit big for touring. The MZ-R30 is also amazing and the industry standard for It has all the physical buttons neededįor on the spot editing, unlike via fucking 'menus' on the later models. The smallest and last of the first generation minidiscīy Sony that has instant track access. The only Minidisc to buy for touring is the Sony MZ-R55 by Sony. LINK HERE to my new SOUND ART VIDEO LIBRARY PAGE It's an Experience > from conception, inception, desire, production, physical, tangible, design, promotion, dispersal - to discovery, absorption, emotion, memory, reaction, connection, and recollection. I'm thinking that Music is not just sound information. "Everything in the world has at some point made sound, or been the cause "Everyone has expectations - Explore and experiment with them"
"It's only really interesting if it's also really rewarding" Janek's Sound/Art/Installation & Music Resource/Review
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